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Introduction to Charlie Chan's Words of Wisdom: |
Aphorisms are short, pointed sentences expressing a truth or
precept. In the movies, the inscrutable Charlie Chan, especially Warner Oland's
Chan, was famous for his many pithy pearls of wisdom. These proverbs, sometimes
presented as slight variations in wording of other well-known sayings, are
perhaps the one most noticeable feature that distinguishes Charlie Chan from
the many detectives that appeared on films, even that of Sherlock Holmes. Many
of us have come to enjoy these Confucius-like expressions, many of which begin
with the requisite "Ancient ancestor once say..." and are referred to
by some authors as Chanograms, Chanisms, and Biggersisms.
Three books, to various degrees, have compiled these famous proverbial sayings
attributed to the Charlie Chan character of the movies. The first was
Quotations from Charlie Chan (Golden Press, 1968), edited by Harvey
Chertok and Martha Torge and which has long been out of print. More than 320
quotations are divided into 36 categories, such as those having reference to
wisdom, truth, superstition, love, friends, etc. Unfortunately no indications
are provided as to which film a particular quotation is from. Furthermore, the
two editors indicated that they obtained their compilation from the screen
dialogs of only 21 Charlie Chan films - the Twentieth Century-Fox inclusive
entries from Charlie Chan in London (1934) to Castle in the
Desert (1942) with the exception of Charlie Chan in Paris (1935)
which was considered "lost" at that time. Also missing from this list
of 21 films were the films prior to Charlie Chan in London, also considered to
be lost then - Behind That Curtain (1929), Charlie Chan Carries
On (1931), The Black Camel (1931), Charlie Chan's Chance
(1932), Charlie Chan's Greatest Case (1933), Charlie Chan's
Courage (1934) - and all 17 Charlie Chan films by Monogram. However,
several aphorisms from Charlie Chan Carries On, Charlie Chan's
Greatest Case, and Charlie Chan's Courage, based on confirmation of
published reviews and other sources, were indeed included in the Chertok-Torge
book.
Following the printing of Quotations from Charlie Chan, film copies of
"Curtain," "Camel," and
"Paris" have since been found and more than 30 years later,
two additional Charlie Chan books have been published. The first is A Guide
to Charlie Chan Films (Greenwood Press, 1999) by Charles P. Mitchell. In
this book, Mitchell considers the quotations as falling into to one of the
following six categories: direct quotes, paraphrases, metaphors, observations,
insults, and jokes. However none of the quotations are individually annotated
as such. Instead, at the end of each film's discussion, Mitchell lists the
aphorisms of the known Charlie Chan films in order of chronological
occurrence in the film (presented in alphabetical order), but without any
indication to whom these were spoken.
Six months later, my book, The Charlie Chan Film Encyclopedia
(McFarland, 2000), was released. Here, all the aphorisms (in alphabetical
order) are presented as a group. They are listed for each movie (in
chronological order) along with to whom the quotation was spoken to. For fans
of the Charlie Chan films, this format was done to give a better
perspective to the proverb's meaning and context.
In all fairness, there will never be a definitive book complete with all
the famous sayings attributed to the Oriental sleuth, even if all the lost
films are eventually accounted for. There are some individuals who feel that
virtually every line uttered by Charlie Chan is profound. However, some of the
more obvious sayings have not been included in this book because they are so
specific to the moment that, when taken out of context of the particular film,
its meaning is lost. Until those from the four films currently considered lost
- Charlie Chan Carries On, Charlie Chan's Chance, Charlie
Chan's Greatest Case, and Charlie Chan's Courage - are found, one
can only rely on those obtained from published reviews or available scripts. In
The Charlie Chan Film Encyclopedia, I include quotations that were not
included in Mitchell's book and he has a number that I previously overlooked.
Also, we both have quotations that are not present in the Chertok-Torge book
and who have almost 80 sayings that cannot be attributed to any particular film
of the Charlie Chan series.
In preparing this book, I again reviewed copies of all the 41 available Charlie
Chan (talkie) films from my own collection and the reviews from the New York
Times for the four lost films. I recompiled the quotations from these three
books, attributing each quotation to the particular film and, within
parentheses, indicated to whom the proverb is spoken. However, aphorisms spoken
by those other than the Charlie Chan character are not included. In deciding on
the format for presentation in this book, I settled on a combination of formats
from both my book and Mitchell's: each film, in chronological order, is
presented with its aphorisms in the order they occur in the film. Also, I noted
to whom the quotation was directed. Those complied for each of the four lost
films, using published reviews and other sources, are simply listed in
alphabetical order. As a result, only one film, Behind That Curtain, had
no aphorisms because the role of Charlie Chan (portrayed by E.L. Park) was a
minor one, lasting only a few minutes. As many of the 36 categories of the
Chertok-Torge book in my opinion are very subjective, I decided against
following this arrangement.
In addition to the listing of Charlie Chan's aphorisms, I have also included
two other items associated with Charlie Chan film series. First are the
words to a song about Princess Ming Lo Fu, a Chinese children's lullaby
sung by Charlie Chan in Charlie Chan in Shanghai (1935). Also included
is the text of a promotional short starring Warner Oland as an endorsement for
a 1935 referendum in Pennsylvania to allow theaters to show movies on Sundays.
Besides the popular Charlie Chan films made by Twentieth Century-Fox and
Monogram, two other Oriental detective film series were contemporaneously made.
One is the Mr. Moto series (8 films, Twentieth Century-Fox, 1937-1939)
starring Peter Lorre, and the other is the Mr. Wong series (6 films,
Monogram, 1938-1940) featuring Boris Karloff for the first five and Keye Luke
for the last entry.
In all, there are over 600 words of wisdom attributed to the Oriental
detectives. Unlike Mitchell's A Guide to Charlie Chan Films, I do not
include those from The Return of Charlie Chan (1971) with Ross Martin;
the 1957 TV series, The New Adventures of Charlie Chan starring J.
Carrol Naish; the Peter Ustinov spoof, Charlie Chan and the Curse of the
Dragon Queen (1981); or any of the few foreign language films, such as
Eran Trece (1931, Spanish), a remake of Charlie Chan Carries On.
For the record, my favorite aphorism is, "Mind like parachute - only
function when open!" (from Charlie Chan at the Circus), which I
often place at the beginning of exams in many of the college courses I teach. I
hope you enjoy this little book as much as I had fun compiling it. As Charlie
Chan often says, "Thank you, so much."
HOWARD M. BERLIN
Wilmington, Delaware
© 2001-2005, Howard M. Berlin.
January
27, 2005.